In All The Quiet (Part II), Joe Armon-Jones crafts a speculative narrative rooted in dub, jazz, and the urgency of improvisation. As the second installment in a two-part opus, released on his Aquarii imprint, the album concludes a dystopian allegory in which music has been all but extinguished, surviving only through the "paladins of sound"—a scattered few who resist algorithmic cultural flattening.