Fire comes, same as London Zoo did, with a city of sounds. The album has a natural tectonic evolution texture. Loose your mind in the dancehall, but feel the dread of the times we are living. The music is catchy but also spine-breaking, ready to shatter and break.

As a dubhead, 2020 is probably my favorite year for dub music. This indoor year meant more creation, with so few live music shows and too much streaming. The industry “suffered” from artists and producers focusing on releasing new music and experimenting and, we, the fans, had the luck to be caught in the pouring waterfall of sounds and Bandcamp Fridays.

'In Blue' is The Bug comeback after this year's ambient textural alien transmission LP Frequencies for Leaving Earth Volume 1 to 5. Through this comeback, he presents a brand new batch of riddims, carefully complemented by eerie vocals courtesy of miss Chen, sounding closer to ASMR (Autonomous Sensory Meridian Response) earworms than traditional chanteuse singing melodies.

There are always many sides to an artist and music performer, this is what this chatattack with Miss Red is meant to enlighten. If you will ever witness her perform, she will for sure leave a deep mark on you. Her aggressive style, mashed with a strong attitude and energy, an approach that on top of The Bug’s distorted heavy bass and beats, define the meaning of sound pressure.

Annette Henry a.k.a. Warrior Queen is a Jamaican dancehall, reggae and dub performer, a strong voice bridging the reggae and electronic genre. You can find her on LP’s and recordings from established producers and artists like The Bug, Skream, Vex’d, Mungo’s and many others.