These days, music should not be made for times of peace. It needs to be made for grinding down your molars, cackling maniacally in new media solitude, and what's playing in your head when your phone lights up with its endless scroll of bad news

A Westside Gunn release is a rotating gallery of luxury, violence, and divine intervention. If Pray for Paris was an ornate medieval fresco, then 12 is a faded Renaissance sketch scrawled in blood, where its beauty is worn into the fabric of its imperfections.

Hardcore thrives in the margins, basements, and back rooms where bodies collide. Through the various manifestations of late-stage capitalism, California's Bay Area knows this better than most.

Showbiz! doesn't rush or beg for attention. Like its creator, MIKE, it moves through space, always between cities, thoughts, and eras. The Brooklyn-based, London-raised wanderer has built a career on steady pacing while the world around him spins out of control.

"Death is Home" by Aïsha Devi explores the duality of existence with the pulsating energy of the club as a backdrop for healing.

Dive into Caterina Barbieri's 'Myuthafoo', a stunning fusion of modular synthesis, cosmic energy, and innovative sonic experimentation.

Laurent Garnier's highly anticipated new album, "33 Tours Et Puis S'en Vont," is a captivating musical opus that signifies a milestone in his illustrious career. It marks a poignant conclusion to his regular touring endeavours as he continues to push the boundaries of electronic music and captivate listeners with his versatile soundscapes and meticulous craftsmanship.

'Global Control/Invisible Invasion' is Ammar 808's a boundary-pushing electronic album that seamlessly blends traditional Indian music with futuristic sounds, creating a complex and immersive soundscape.