Weeding Dub's "Where We Come From" is a sonic odyssey that transcends genres, inviting listeners into a captivating reggae and dub realm.

Immerse yourself in the vibrant and influential world of sound system culture, spanning from its origins in 1940s Jamaica to its global impact today, as Black Rhino Radio's Electric Castle Roots Stage brings together local and international purveyors of this transformative musical movement, featuring powerful amplifiers, microphones, and loudspeakers that transcend description,celebrating heritage through collaborative performances, immersive bass-heavy experiences, and the blurring of lines between performers and audience.

Zambia's legendary rock band WITCH makes an exhilarating comeback after a remarkable 39-year hiatus with their highly anticipated album, "Zango". This mesmerizing opus effortlessly bridges half a century of musical and post-colonial history, delivering a collection of funkadelic social commentary perfect for hazy summer days.

"Imagine This Is a High Dimensional Space of All Possibilities" by British electronic music producer James Holden seamlessly merges analogue and digital eras to create a rich and layered soundscape that rewards careful listening, with new details and textures revealing themselves each time. It is a testament to the power of imagination and experimentation in an era of formulaic, template-driven electronic music.

Blawan's "Dismantled Into Juice" is a boundary-pushing EP that showcases the visionary UK techno producer's impeccable production and groundbreaking compositions as he fearlessly delves into uncharted realms of sound, leaving an indelible mark on the electronic music landscape.

Ahead of Friday's second instalment of Experiments in Dub, we take a look at the captivating world of dub techno, an electronic music subgenre that combines the echoes of dub reggae with the driving beats of techno.

Everything But the Girl's first album in 24 years showcases a modern take on their signature electro-soul sound, blending Ben Watt's electronic and acoustic instrumentation with Tracey Thorn's always emotive vocals.

Los Angeles quintet Zulu's debut album "A New Tomorrow" is a genre-blending masterpiece that immerses listeners in a panoramic depiction of Black culture and experience, showcasing the band's ability to seamlessly transition between hardcore, powerviolence, reggae, jazz, and hip-hop. Through its powerful lyrics and musical talent, "A New Tomorrow" establishes Zulu as a force to be reckoned with in the world of heavy music and is a must-listen for anyone looking to explore the Black experience through music.

Yaeji's debut album "With a Hammer" is a stunningly cohesive exploration of the Korean-American artist's relationship with anger, combining trip-hop, drum & bass, footwork, and rock with her signature leftfield house style. With introspective lyrics, infectious beats, and flawless production, the album further showcases Yaeji's musical prowess and emotional depth.

Pliegues, the mesmerizing collaborative EP by DNGDNGDNG and Prisma, is an exploration of experimental rhythms and Afro-Peruvian and Afro-Colombian influences. Released via TraTraTrax, the EP features five tracks that seamlessly flow into each other, with remixes from Verraco and DJ Python.

Jim Coles, aka Om Unit, is a true trailblazer in the ever-evolving world of electronic music. Like any artist worth their efforts, he has refused to be boxed in by traditional genres. Instead, Om Unit seeks to curate a unique blend of genres beyond the typical confines of sound system culture.

'Global Control/Invisible Invasion' is Ammar 808's a boundary-pushing electronic album that seamlessly blends traditional Indian music with futuristic sounds, creating a complex and immersive soundscape.

With UGLY, Slowthai has reinvented himself as a frenetic band frontman and created an album that reflects his restless and boundary-pushing spirit. The album's eclectic mix of punk, hip-hop and electronic sounds is a triumph of artistic expression.

Techno futurist, MATRiXXMAN presents his first proper full-length collection of material since 2015’s critically acclaimed Homesick.

Throughout its 15 tracks, Raven is a superb addition to one of the most refreshing voices in contemporary music. It is a complete narrative of love, longing, and identity - equally existing on the dancefloor, in the bedroom, and on the streets.

With February the officially unofficial J Dilla celebration Dilla Month, we dive into the work and legacy of the celebrated Detroit renaissance man.

In one his final recorded appearances, Jamaican dub legend Lee “Scratch” Perry teamed up with Vancouver doom metal scenesters New Age Doom for an eclectic collection of new material on Lee "Scratch" Perry's Guide to the Universe. Now, an experimental and diverse remix collection adds to his closing chapter with an album that can act as both companion and stand alone in its own right.

Cellist and Composer Oliver Coates has collaborated with everyone from Mica Levi to Radiohead. But his sublimely minimal score for Aftersun may be the best work from one of contemporary music’s most accomplished figures.

The now 71-year-old Japanese composer, Ryuichi Sakamoto releases his first album since 2017’s async. Across twelve tracks, simply denoted as the dates when they were made, Sakamoto explores the grieving process in a soundscape filled auto diary.

Kicking off our latest video series, More Than a Hustle, we profile the prolific director of music video and commercial spots, Hypno. A proud born and raised Bucharest native, Hypno's work can be experienced worldwide, from the most talented local artists to the most prominent international brands.

Japanese electronic music composer and sound artist Ryoji Ikeda's 'ultratronics' is a career-spanning retrospective made accessible through its full-length album format. From microhouse, glitch, drone, minimal to industrial and IDM, 'ultratronics' sees Ikeda at his most precise.

An epic self-aware selection of over-sharing in the age of polyamory and surveillance, SOS cements SZA as one of this generation's premiere introspective songwriters.

Based between Bethlehem and Amman, Radio Alhara has broadcast its community-based radio since March 2020. In nearly three years, the station has become both a leading destination for diverse music discovery and voice for Palestinian liberation.

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Best of Dubstep 2022 selected by WRK

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